Hindemith from Henry Swoboda

The Swoboda festival continues! Squirrel and I are keeping the Swoboda flame burning.

From 1951, this Westminster lp features Kammermusik No 4 (also known as the Violin Concerto No 3) and the Four Temperaments. Soloists are the fine Czech-Austrian violinist Peter Rybar and the excellent Czech pianist Franz Holletschek. The orchestras are the Winterthur SO and the Vienna SO respectively.

As mentioned previously, Swoboda's best results were with works that were really out of the orchestral mainstream. For whatever reason, his level of inspiration and creativity tended towards pieces that were not old warhorses. Here we have have engaging and insightful interpretations of two, at the time "fringe" pieces, that are prepared well and presented with flair.  You know, a  few months ago, I offered an excellent recording of the Four Temperaments with Victor Aller and Felix Slatkin, one that I consider a near benchmark. Well, here is another equally fine record, a bit less edgy, smoothed out a bit if you will, but no less vital and committed to Hindemith's soundworld. I believe this and the Aller are much better then Lukas Foss' recording with the Zimbler Sinfonietta, a recording that is a bit detached for me. The Violin Concerto receives a splendid go but I think it an inferior piece to the Four Temperaments since it is far less engaging.

I wish that Swoboda had recorded the symphony "Mathis der Maler," an all time favorite of mine and a piece that is a great masterpiece, at least to my ears.

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Music of Jacques Ibert led by Henry Swoboda

An early Westminster issue from 1951 with Henry Swoboda conducting a program of music by Jacques Ibert. Leading the Winterthur Symphony, Swoboda directs energetic performances of Divertissement and Capriccio and with the Vienna SO and women of the Akademie Chorus, he conducts an enjoyable Suite Elizabethaine.

This has to be one of the very first records ever to focus solely on Ibert and the program is a great window into this composer's varying styles. Swoboda, impresario, record producer, conductor was extremely adept at crafting recorded programs that were unique not to mention in some cases, premiere recordings. Though imaginative, Swoboda was not considered a great conductor but rather a competent, workaday one. However, I think that he rises above the typical assessment of his abilities on this Ibert record. This music is lively, with first class orchestral writing and its, well, all very "snappy." One cannot imagine why musicians would not like playing this fare. And, I would think that many of the musicians here were playing Ibert for the first time making the session a sense of discovery in which Swoboda rises to the occasion, much in a way we would expect from Munch, Ansermet or Monteux.

I will call your attention to the Suite Elizabethaine which is Ibert's delicious recollection of music from another time albeit with a marvelous modern twist.

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