Peter Marsh, Theodora Manta, violins
Paul Hersh, viola
Donald McCall, cello
These performances are freshly free of mannerisms and the musicians let the music speak for itself. Though the ensemble does not have a particularly strong interpretive profile, I do find their approach appropriate and musically satisfying. I believe these performances are a good antidote to more well known ensembles that tend to take a more willful approach towards interpretive practices.
This recording was released in 1964.
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