Serge Koussevitzky was certainly one of the most important, and colorful, personalities of the American concert stage during the 20th century. Although arguably the greatest friend to the American mid century composer, much scurrilous rumor has circulated that his achievements in Boston were artificial; he could not read music well and relied on at-home pianists to practice his conducting of various pieces of music. In fact, some have claimed that the results he achieved were due in part to excellent section leaders, among them Richard Burgin the longtime concertmaster master, who actually carried and shaped Koussevitzky's performances in lieu of the maestro's inadequacies.
Well, here we have two strong, and quite individual, performances from Beecham's LPO that firmly dispel any doubts of Koussevitzky's prowess on the podium. Outside of a Mengelbergian tempo change that is rather abrupt in the first movement of Mozart's Symphony No. 40, the readings of the Mozart and the Beethoven Eroica are clean, powerful, earthy, and thoroughly engaging. They are also a testament to what a fine orchestra Beecham built, probably the best in London during this time period. There is no doubt that Koussevitzky is the star and was fully able to communicate his wishes during this guest appearance.
Enjoy these transfers from Camden LP's. Koussevitzky would record both works again with his BSO, a better orchestra, but this first crack at both symphonies is indeed satisfying.
LINK for Mozart
LINK for Beethoven
