Showing posts with label badura skoda. Show all posts
Showing posts with label badura skoda. Show all posts

Monday, May 2, 2011

Paul Badura-Skoda and Felix Prohaska in Mozart


A very nice record today, from 1951. Paul Badura-Skoda and Felix Prohaska come together for fine performances of Mozart's 24th and 27th piano concertos.

Couple things I'd like to mention. First, I am dazzled by the maturity and strength of these recordings from quite early in Badura Skoda's career. This man was blessed with inate good taste and a surehanded technical mastery of the keyboard.  Incredibly sensitive and collaborative musician. Second, Felix Prohaska was both an underrated conductor and  pioneer in presenting the baroque and classical period composers without varnishing their intents in romantic excess. In these performances, you hear details that are often buried beneath a keyboard's fight with a bloated orchestra of strings and winds. Not here - its all neat, clean and complimentary. In short, lovely and riveting.

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Monday, January 17, 2011

Schubert - Four Hand Piano Music with Badura Skoda and Demus


Another visit to some four hand piano music, this time by Schubert,  recorded in the early 50's by Paul Badura Skoda and Jorg Demus for Westminster.

I cannot stress enough the level of maturity and insight that these two artists bring to this repertoire. Their instinctive response to each other is nothing short of remarkable. Rarely, do two artists connect on such a level of excellence as these two. Couple the artistry with the superb music and...a winner....unlike the Patriots on Sunday! :(

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Sunday, December 19, 2010

Paul Badura-Skoda and Jorg Demus perform Mozart for two pianos













Two quite lovely lps from the early 50's that feature the piano talents of Paul Badura-Skoda and Jorg Demus in two hand/two piano music of Mozart. These exceptional records were issued when both artists were in their mid 20's; happily both are still alive and active, internationally known and respected, as they enjoy their ninth decade on God's green earth. As a note, months separate them in birth dates.

Paul Badura-Skoda probably has enjoyed the greater international solo career of the two though Demus, no less an artist, is regarded as one of the very finest solo partners of his time, whether as support to an instrumental soloist or a vocalist. Together, they strike the perfect balance and collaborate as a pair of equals, each intuitively understanding the next move of their partner. There is not one instance here of one of them trying to "out do" the other. They listen to each other and appreciate the fact that they are conduits for Mozart's genius.


What  really strikes me about these performances are the immediacy and afffection that these two, at the time very young, artists bring to the music. There is no youthful bombast or immaturity here. You know, last week I read in the Wall Street Journal an interview with Leon Fleisher in which he lamented the lack of sensitivity that many talented pianists bring to the keyboard. They have technique to burn but that sense of soul that Schnabel imparted onto Fleisher is missing from their artistry. Badura-Skoda and Demus, being contemporaries of Fleisher, understand that concept and the results of their labors are keen musicianship through effective listening. What Schnabel spoke of is presented here so engagingly and at appropriate moments, tenderly.

In the near future, I will follow this offering up with Schubert performed by these two exquisite artists.


Friday, December 18, 2009

Reine Gianoli and Paul Badura Skoda in Mozart's Two Piano Concerto K 242




Charm Nick at Grumpy's Classics Cave recently posted the pianist Reine Gianoli performing Bach. I'm going to piggy back on that with this offering of Mozart's Two Piano Concerto K 242. Unfortunately, the flip side with K 365 was in a bad shape and beyond my restorative abilities.

There is some very fine playing going on here between Gianoli and Badura Skoda. The latter is probably one of the finest Mozartian's of the last century. I think that Hermann Scherchen leads a suitable accompaniment without the mannerisms that he was sometimes known for. Admittedly, I had not heard of Gianoli before I picked up this record. Listening to her here and on Charm Nick's posting in Bach reveals a strong player with good technique who also has an almost willful approach to the music. In fact, I believe that Gianoli imparts a lot of herself in the music, maybe bordering on over the top. Well, you be the judge.

An interesting discovery, nonetheless.

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