Jorge Bolet and Gyorgy Sandor play Liszt and more

Couple lps offered up today by two fine pianists, both coincidentally noted as specialists in the music of Ferenc Liszt. Gyorgy Sandor plays an all Liszt program on a Columbia Special Products reissue (with judicious removel of the awful electronically stereo enhanced effect) and Jorge Bolet performs a recital program, featuring Liszt, on one of his first recordings, that being Boston Records B301. Appian has repackaged the Boston issues B300 and B301 but I thought it would be fun to have a go at it myself.


Gyorgy Sandor, piano

LISZT: Sonata in b; Funerailles; La Leggerezza; Liebestraum #3; Hungarian Rhapsody #15
Columbia Special Products P14138, reissue of ML4084

Jorge Bolet, piano
1 SAINT-SAËNS: Etude en form de valse Op 52 No 6 
2 MOSZKOWSKI: En Automne Op 36 No 4
3 MENDELSSOHN: Hunting Song (Song Without Words Op 19 No 3)
4 MENDELSSOHN: Rondo Capriccioso Op 14
5 LISZT: Funérailles (Harmonies poétiques et religieuses No 7)
6 BEETHOVEN : Andante Favori in F WoO 57
Boston Records LP B300 Recorded 1952

There is some fine playing here. Sandor, I think, was quite underrated and unappreciated while Bolet is remembered for his later records, which in places are quite mannered. Here, both play with an unfettered style which is clean, direct and quite appealing. The older I get, I really appreciate the Liszt gems for they are introspective in places, possessing a somberness at times which is both world weary but telling.

The Beethoven Andante Favori will melt your heart, it is absolutely brilliant!

DOWNLOAD COLUMBIA SPECIAL PRODUCTS P14138


DOWNLOAD BOSTON RECORDS B301

Simon Barere and Witold Maluczynski perform Liszt, Chopin & Franck

 

Genius. Listen to Simon Barere play Liszt's arrangement of the Waltz from Faust of Gounod. Genius.

 

I was absolutely overjoyed that this beat to hell Remington lp cleaned up as well as it did. It is magnificent. Why? Because Simon Barere combines the technical virtuosity of a Richter with the pure musicianship of a Schnabel. Plain and simple. I can't really say anything more.

 

I have included in this download the contents of a Columbia Entre lp featuring the fine pianist Witold Maluczynski. The album features two works: Chopin's second sonata and the Franck Prelude, Chorale and Fugue. Maluczynski was especially reknowned as an interpreter of his countryman's works and the sonata comes off quite winningly in his hands.

 

But, in the end, you will want this download for Barere and you will treasure his artistry.

 

DOWNLOAD

Reiner and Ormandy in Tunes from the Homeland

 


The spirit of Hungary from the Keystone State! Here are two fine Columbia issues from the late 40's featuring Hungarians Ferenc Reiner and Jeno Blau. We of course know them as Fritz Reiner and Eugene Ormandy.

The Reiner disc is another document from his Pittsburgh years. I love these recordings from Pittsburgh because they capture Reiner in manner which is almost the polar opposite of what we came to expect from Chicago. In the Windy City, Reiner was known as a severe, humorless perfectionist who drove his orchestra hard and without remorse. Pittsburgh recordings tend to be more flexible and relaxed, sounding at times spontaneous and inspired by the minute.

The selection of Hungarian Dances by Brahms are tossed off winningly and quite naturally. I swear that Reiner has tweaked Brahms' orchestrations ever so slightly though the liner notes say nothing on the subject. As for the Stauss waltzes, another example of Reiner's treatment of these gems as more then mere entertainment and fluff. Reiner really was one of the finest conductors of this genre; interestingly, another perfectionist, Carlos Kleiber, is supreme here as well. Great, idiomatic, interpretations here despite the oddly very dated and stuffy sound.

The Ormandy disc fares much better with sound probably because the Philadelphia Orchestra was the Cadillac in the Columbia garage. Ormandy is well within his element with the two Liszt Hungarian Rhapsodies and the Philadelphians play these with all the expected virtuosity of a very great orchestra. I never take these Liszt pieces for granted because poor conducting sabotages the hell out of them while great conducting rivets the listener to his or her seat. Ormandy's traversal is close to great and there is sparkle and wit here. The best Hungarian Rhapsodies, for my money, are Scherchen's mono set from London. It's absolutely terrific - Scherchen at his most inspired finest! The Ormandy record is paired, rather strangely I think, with Grieg's Peer Gynt Suite. This is vintage Ormandy fare and he played Grieg as well, or better then, his contemporaries.

A nice full program here with two fine conductors recorded in their prime with two terrific, but very different orchestras.

SORRY - MEDIAFIRE REMOVED THE LINK

Arthur Fiedler and the Boston Pops on Camden

Here's the contents of two very fine Camden reissues of early recordings by Arthur Fiedler and the Boston Pops. CAL-165 features the Mendelssohn Piano Concerto No 1 and Liszt's Totentanz and CAL-166 highlights extended excerpts from Glazunov's ballet Raymonda  and the bacchanale from Samson & Delilah  of Saint Saens. The pianist featured on CAL-165 is the excellent Jesus Maria Sanroma, who was the official pianist of the Boston Symphony for Koussevitzky during the 1930's and early 40's.

The Mendelssohn had been transferred previously, from the 78's, by Bryan at The Shellackophile. Bryan did a great job of retaining warmth from the original recording, something that the Camden reissue producers admittedly did not place high on their list while transferring from 78 to 33 1/3. (The Liszt on the flip side fares better.) In spite of any sonic limitations, Sanroma and Fiedler turn in a superb account of this well proportioned and inspired concerto of Mendelssohn. In  the Liszt, both experienced musicians keep the piece from turning into a gaudy display of overblown technique and banal passages.  I've got to say that Fiedler was a terrific concerto partner on evidence of this recording and others. I still wonder how he kept a straight face and musical dignity while accompanying Al Hirt in the latter's infamous account of the Haydn Trumpet Concerto!

The extended excerpts from Raymonda are simply superb. Glazunov often gets short shrift because he was so prolific and at times rather less then inspired. That is not the case with Raymonda. It is a marvelous ballet, right up there with the best of Tchaikovsky. Terrific tunes and masterful orchestration make this a delight for the ears and of course, Fiedler does not disappoint. Having the great Pops (actually the BSO minus the principals) strings caress Glazunov's skillful writing reaps great dividends in this recording. And, what an encore with a supercharged, but entirely tasteful, bacchanale from Samson and Delilah. Richard Strauss must have been taken by this for his Salome's dance bears striking characteristics of this gem of a piece.

Enjoy Fiedler at his best!

DOWNLOAD CAMDEN CAL-165

DOWNLOAD CAMDEN CAL-166

Emanuel Bay in Recital

I picked this Tops LP up yesterday at the local Goodwill store. I immediately recognized that I had something special so I transferred the forty odd minutes, ran it through ClickRepair twice and crossed my fingers, hoping, rather praying, that this scratchy old thing would yield magic. And.......

....One magnificent recital by one of the most underated and unassuming artists of the 20th century. Recorded in 1957, though mono, it captures Bay at the right time, a 60+ year old man with mature insight, commanding technique and above all superb musicianship. It is no small wonder that Heifetz found such great satisfaction with Bay as a recital partner and collaborator.

I'm done "talking." Please listen, you'll be better for it! If Traumerei doesn't get to you....

DOWNLOAD

Simon Barere "Farewell" Recital from Carnegie Hall

Here is a special and rather unique find performed by a truly gifted artist. Simon Barere was coming into his own when fate struck him down at age 54. Born and raised in Russia, a pupil of Glazunov and Blumenfeld, Barere's career was in part hampered by developments in Soviet Russia and the tumult of the war years. As the 1950's dawned, a promising future held forth for this somewhat reserved, serious, and modest artist.

Barere was quite a coup for the new Remington label and its ambitious founder Don Gabor. The latter had snagged the talented Edward Kilyeni and the pianist Kilyeni had a friendship with Barere which lead to a recording contract with Remington. A number of discs were made, both live and in the studio, and this one from Carmegie Hall (199-141) was billed as the "Farewell Recital." The disc features brilliant performances of music by Schumann, Balakirev, Liszt, Blumenfeld, and Rachmaninoff. I will point out that the highlight of this disc is the stunning, quite idiomatic, traversal of Liszt's Rhapsodie Espagnole.

As my friend Buster at Big Ten Inch has pointed out, the Remington pressings are quite a challenge to deal with. However, this particular record was very clean and the results are good. I have another Remington with Alexander Jenner playing a wonderful Moonlight Sonata but there are defects that mar the first movement terribly. Oh well...

Enjoy the artistry of Simon Barere, a man of incomparable stature at the keyboard.

DOWNLOAD

"Hurricane" Earl Wild cuts loose on Liszt

Ok....maybe its not that funny.."Hurricane" Earl Wild. However, the great pianist will surely put a smile on your face with these Liszt arrangements from various operas.  A while back, I had posted a recording with Brendel playing a similar program, though, for my taste Wild is the more expressive and liquid player.

This particular recording was a Book of the Month club special and I've not seen a reissue on CD. As I mentioned previously, the genre of opera transcriptions seems to have fallen out of favor and its really too bad. Composers like Liszt not only whetted people's tastes for the whole opera but in addition, encapsulated the choicest melodies into a digestible morsal for the novice. These are wonderful recital encores! Wild's playing here is exceptional, good taste balanced with formidable, yet flexible technique. Especially lovely is the paraphrase on Belllini's Norma.

As a filler, I have included Rachmaninoff's transcription of his Symphonic Dances for two pianists. The exceptional team of Babin and Vronsky provide a vivid and faithful account of the score though someone like Argerich tears into the piece with greater gusto (she tears into everything with elan!).  Still, there aren't many recordings of the two piano arrangement so this, for me, is most welcome.

The Wild RCA disc is mono and the Seraphim Babin & Vronsky is stereo. FLAC files.

 

DOWNLOAD

Alfred Brendel performs operatic transcriptions by Liszt

Here's a transfer that I made some time ago of Alfred Brendel playing a variety of operatic transcriptions by Franz Liszt.

A shame that few pianists venture into this repertoire anymore. Originally created to bring grand opera to the masses before recorded music was possible, these gems encapsulate key moments from their respective works in an ingenious, and wholly listenable, way. Liszt really was the master of taking the orchestrated score and breaking it down for piano two or four hands.

Brendel tackles this program of Bellini, Donizetti, Wagner etc..in the most coherent and vital way. I think this late 50's Vox recording captures the young Brendel at his most adventurous, when his repertoire was exceedingly diverse and imaginative.

An interesting byway in recording.

DOWNLOAD