My 9 year old started to formally take trumpet lessons this school year at my urging and, because he sees what a great time it is when dear old dad is frolicking about during the Oktoberfest season. That said, we started talking one day about bands I've played in and the subject came to special ensembles, "honor bands." Here in Massachusetts that means district and all state bands. Well, to illustrate what I meant, I pulled out an lp of my first such band, back in 1978, and lo and behold, on the program was Malcolm Arnold's "Four Scottish Dances." No, I did not transfer THAT record but instead, dug out a gem of a stereo lp from around 1960 of Arnold conducting the Dances plus his Symphony No 3. I know that Everest did once release the symphony on cd along with Boult's premiere recording of Vaughan Williams' Symphony No 9. However, for some reason the Dances were forgotten, well as far as I know. A damn shame too!
I've loved the Four Scottish Dances ever since I first heard and played them. This is Arnold at his absolute irresistable best. These short dances are tuneful, beautifully orchestrated, and delightfully crafted - they are prefect in length and form. Based on folk tunes of Scotland, Arnold displays an ease with the material and communicates the substance as well as any past master who worked in this mode, whether it be Telemann, Bartok, Vaughan Williams or Schubert. His leadership of the LPO is beyond reproach. I think his former orchestral colleagues respond to his music with utter delight and they convey the wit and charm better than any other recording of these works. As for the third symphony, it is a more difficult work to bring off due in part to its length, density and complexity. Arnold acquits himself well but it is obvious that the shorter dances lend themselves better to his conducting skills. Arnold was first and foremost a composer and excellent trumpet player, not a conductor a by trade.
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