Showing posts with label rifkin. Show all posts
Showing posts with label rifkin. Show all posts

Tuesday, September 7, 2010

Baroque Fanfares and Sonatas realized by Joshua Rifkin













A couple really fine Nonesuch dandies here for my respected colleague Don, the man we know as  "Sacqueboutier." Joshua Rifkin leads the finest brass players of London, c. 1972, in music of Biber and the early baroque. Yes, Philip Jones, John Iveson, John Wilbraham are here in all their glory!

The conductor/scholar/musicologist Rifkin is one of the leading proponents of period performance and practice in the world. His work, albeit controversial in some circles, has led musicians and public alike to look at perennial favorites in an entirely new light. I remember hearing Rifkin's take on Bach's B Minor Mass with one to a part and, well, being floored by the detail and supporting lines that were often buried in larger scale performances. Rifkin's way with his wide repertoire of music from the middle ages through the classical period is most always characterized by freshness and vitality.

The baroque works by Speer and Pezel take me back to the days of playing through the Robert King Brass editions at summer music camp. Brass players remember the old Robert King catalog and his delightful, and inexpensive, arrangements of music from the renaissance and baroque, al scored for modern brass instruments. I lived in the town over from King's business and would often go by for a purchase or two. King's business was almost exclusively mail since it was located in a large basement area beneath a barber shop with no signage on the building!  One of my most vivid memories of the place was the picture of Mr King with Maurice Andre, taken in the shop itself. Wow!

Stereo FLACS with notes included.

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Thursday, April 15, 2010

The MacDowell piano concertos realized by Vivian Rifkin and Dean Dixon


This was an exciting one to find! Not only because Dean Dixon's name was on the cover, but also because I believe it represents the first recording of both of MacDowell's concertos on disc together. And, lastly it is a wonderful document of a husband and wife performing together in a solo and conducting role!

Vivian Rifkin really plays the hell out if these wonderful late romantic works and Dixon provides strong, loving accompaniment. Together, they offer the best argument on why MacDowell should be placed higher up in the repertoire list. I don't think that I've enjoyed these works as much as in this recording.

Rifkin was a fine pianist who made comparatively few recordings, most in the first half of the 50's. I believe that she was for many years a respected teacher in New York after she parted from Dixon. On a diversity note, she and Dixon must have been extremely brave individuals for being an interracial couple in the 50's was no small matter! 

Westminster must have loved these two concertos, for the company recorded them again several years later, also in Vienna, with Eugene List as the soloist and Carlos Chavez as the conductor.

My copy of this present issue was in overall pretty good shape. I did have to do a small splice in the first concerto and I think it came out ok. Enjoy the music!

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